The spoiler for the second season of Maestro and the revelation about her parents

THE Stefania Gouliotis was a guest on Eleni Menegaki’s show on Monday, April 22.

The actress who stars in his series Mega, maestro, among other things, she talked about her role in the series, about her personal life, but also about social media.

“I have identified with evil, which I don’t want at all, which fortunately now Christoforos Papakaliatis has written some scenes that if I get out of this cycle as evil, I don’t know…”, initially said Stefania Gouliotis.

Answering Eleni Menegaki’s question about the reasons she said “yes”, even though she has devoted herself more to the theater, the actress said that she had no difficulty at all: “With Christoforos, I had confidence that with what he will write, I will have a lot to do” .

Afterwards, Stefania Goulioti spoke about her role, which Maestro fanatics know is pregnant with Orestes’ child. “She got pregnant in a sneaky way. The purpose is to see that all movements are due to the trauma of the previously lost child. To illuminate the weak sides of the character,” added the actress.

Concluding her reference to Maestro, she noted: “What really attracted me to the second cycle script-wise is the deepening of the relationships.” Stefania Goulioti also spoke of significant upheavals. “Even reversals, you will see that the way Alexandra gives birth is not a way we expect. But he’s real,” he said.

The love story of her parents

The presenter wanted to know about the love story of the actor’s parents, with her father being Voliotis and her mother French. “My parents have a very beautiful meeting story. They communicated by mail, just like the good old days. Then my father asked her to come and meet her in person,” said Stefania Goulioti.

Referring to her great love, the theater, Stefania Goulioti said: “It was very magical the wand with which things happened, I didn’t look for it too much. For years I see children struggle with the decision to be led down this path. For me, things were very simple. Perhaps the theater was a mental outlet and I very easily found myself in a space where I could express myself and it happened magically.”

“Even when I left the theater for a while I watched it in my sleep afterwards. My relationship with TV and film didn’t have that match. I immediately understood the real difficulty of the theater” concluded Stefania Goulioti.